Analysis as Creative Tool: Composer’s Relationship with Materials, People and Context – XXII Convegno Internazionale di Analisi e Teoria Musicale. Conservatorio di Salerno, Salerno (IT).
The Composer as Performer of Culture: Towards a Method of Self-Analysis – Principles of Music Composing. Lithuanian Academy of Music and Theatre, Vilnius (LT)
Musical Stylometry as a means of composing new music for classical guitar. The International Guitar Symposium, Dublin (IRL).
Inside the Ukulele: Approaches and Solutions in Classical Contemporary Compositions. First Ukulele International Conference (UIC 2021) – Interdisciplinary Perspectives on Performance, Composition, and Organology, Milano (IT).
Irony as Element in the Practice of Composing. 15th International Congress on Musical Signification, Barcellona (ES).
New Music and Old Instruments: the Collaboration behind “Elogio dell’Errore” for solo Clarinet. Co-author Vittoria Ecclesia. ICA – International Clarinet Association. Online.
Ukulele as a Toy… for Composers. Second Ukulele International Conference (UIC 2023) – Interdisciplinary Perspectives on Performance, Composition, and Organology, Alessandria (IT).
The Influence of Period Instruments on Composer Aesthetics. Orpheus Doctoral Conference 2024. Ghent (B).
Musica Contemporanea per Strumenti Storici: una Collaborazione Artistica. ANDA Annual Conference 2024, Naples (IT).
Borrowing e Co-creazione Musicale: una Metodologia tra Autoetnografia e Teoria dell’Informazione. III Convegno Annuale Fondazione Levi, Venezia (IT).
