Fabrizio Nastari - Italian Composer

A Singer without Words (2025, 8′)

for soprano, flute, oboe, clarinet, accordion, piano, percussion, violin, cello

Sonatina to go n. 2 (2024, 5′)

for two accordion

épos (2022-2023, 30′)

for percussion ensemble

Drowning to breathe (2019, 11′)

1111, 1110, 1, piano, strings

Gingerbread (2023, 4′)

for 2 clarinets

Elogio del Tormento (2023, 4′)

for 2 baroque violin, viola da gamba and tiorba

Elogio della Caduta (2023, 10′)

for violin and accordion

Fora e Cuce (2022, 2′)

for sax duo

The True, the Fake and the False (2020-2021, 34′)

for guitar (electric and classic) flute (bass and soprano) electronics and other instruments

Working and Singing (2020, 8′)

for alto flute, 2 bass clarinet, violin, viola, cello

Disperata Vitalità (2020, 10′)

for violin, cello and piano

Rovine (2019, 9′)

string quartet

Unforeseen Consequences (2018-2019, 12′)

soprano, sax (alto, tenor), electric guitar, accordion, piano

N’ombra che se crea (2019, 8′)

wind quintet

Echi d’ombra (2016-2017, 16’)

string quartet

Electric Breath (2016, 5’)

electric guitar, bass flute

D’inverno (2025, 12′)

choir and string orchestra

Protocollo (2021, 16′)

flute, clarinet, bassoon, 2 horns, 3 violins, 3 viola, 2 cello, 2 doublebass

Spring (2021, 8′)

for strings and percussions

Drowning to breathe (2019, 11′)

1111, 1110, 1, piano, strings

Nascita del canto (2018, 8′)

baritone 1111, 1110, 2, accordion, harp, piano, strings; text by Giosuè Carducci, “Nascita del canto”

The Will of Ripping (2018, 10’)

1111, 1110, 1, piano, strings

Nostra Ignuda Natura (2021-2022, 35′)

for mixed choir; text by Giacomo Leopardi

Hommik (2019, 5’)

SATB, latin text “Ave Maris stella”; estonian text by Johannes Schmuul, “Kuidas kalamehed elavad – Hommik”

A dream within a dream (2018, 8’)

SSAATTBB; text by Edgar Allan Poe, “A dream within a dream”

Poiché del mio dolore (2016, 5’)

SATB, text by Claudio Monteverdi, “Poiché del mio dolore”

A Student’s Tale (2023-2024, 42’)

opera for soprano, sax, accordion, electric guitar and piano.

Inferno. Chiamata Pubblica per la “Divina Commedia” di Dante Alighieri (2017, 180’)

• Prliio Ubu 2017
• trumpet, percussion, fixed media and live electronic
• composed by Luigi Ceccarelli with Fabrizio Nastari, Andrea Veneri, Giovanni Tancredi, Altilio
• Francesco, Mirjana Nardelli, Cristian Maddalena
• review Rai Tg3: link 1, link 2
• review Rai Radio 3: link 1, link 2
• review and excerpt by Amadeus
• Press
• Gallery

Caligola (2016, 30’)

• scena IV (8′)
• soprano, clarinet, percussion, fixed media; text by Albert Camus, “Caligola”

La Sinfonia delle Cose (2023, 10′)

wind orchestra

Lullaby of War (2020, 10′)

2222, 2221, 3 percussionist, strings

Là su (2018, 23’)

baritone 2222, 2200, 1 percussionist, accordion, strings; text by Ludovico Ariosto, “L’Orlando Furioso”

L’indugio del profumo (2017, 12’)

soprano 1111, 1110, 2 percussionist, piano, strings; text by Giosuè Carducci, “Fuori alla Certosa di Bologna”

Pothole (2015, 11’)

for symphonic orchestra

New Work (2025, 3′)

braguinha

Ricordo Rumore (2024, 4′)

clarinet

Elogio dell’insicurezza (2023, 5′)

violin

Elogio del vuoto (2023, 4′)

chitarra battente

Elogio dell’errore (2022, 9′)

clarinet

Sonatina to go (2021, 4′)

guitar

Disperata Vitalità (2021, 5′)

ukulele

TaranToten (2021, 5′)

chitarra battente

Pappagalli Verdi (2021, 4′)

ukulele

Disperata Vitalità (2020, 4′)

piano

Dies Rainbow (2020, 3′)

ukulele

9 13 18 24  (2020, 9′)

accordion

Studio riflessi (2019, 4′)

classic guita

Second Imagining (2017, 5’)

piano

Disperata Vitalità (2015, 10’)

violin

Dry Land (2020)

Director: Maria Reinup Script: Larissa Curi

The hide (2019, endless)

supervisor Giovanni Albini. With Martin Kirsiste, Lev Urbel, Natalia Wójcik, Valentin Siltsenko and Paul Klooren

Steps (2018, 9’)

Artwork by Marco Angelini, filmed and edited by Luca Rossi